zelin0802 / September 2, 2026

MB&F’s MAD3 Pays Homage to Vincent Calabrese A love letter to Baladin.

MB&F’s MAD3 Pays Homage to Vincent Calabrese A love letter to Baladin.

MB&F’s third MAD special edition Discount replica watch reinterprets Vincent Calabrese’s iconic jumping hour complication. Although still allocated by lottery, the MAD3 Vincent Calabrese is significant for MB&F’s entry-level sub-brand, being the first watch with a completely concealed rotor and the first based on a classic design by a renowned watchmaker.

Vincent Calabrese is a pioneering independent watchmaker who co-founded the Academy of Independent Watchmakers (AHCI) with Sven Anderson in 1985. Mr. Calabrese is perhaps best known for developing highly original movements for other brands, including the Corum Golden Bridge movement and Blancpain’s first flying tourbillon watch movement developed in 1989.

But Mr. Calabrese also produces Online replica watches under his own name, including the Baladin watch, which inspired the design of MAD3. Maximilian Bissell and Mr. Calabrese are longtime friends who have discussed collaborative watch projects on numerous occasions, but MAD3 marks their first collaboration.

No Jumping Time

When deciding to pay homage to the Balladin, the MAD Editions team wanted to recreate one of its defining characteristics: the Balladin’s time doesn’t “jump” to the next hour like traditional jumping hours.

Instead, it’s a slower process, lasting several minutes: approximately three minutes before the hands reach the 12 o’clock position, the hour disc below the dial is fixed, while the dial (and its hour display window) continues to rotate. When the hands reach the top of the dial, the hour display window aligns with the next hour. At this point, both discs relock into place and continue rotating together around the dial.

Mr. Calabrese designed his original Balladin clock this way to address what he considered a flaw in traditional jumping hours: he felt the transitions were too abrupt and conceptually disconnected from the actual flow of time. He wanted the transitions between hours to be clearly visible and gradual. https://www.reviewluxurystore.com/

The MAD3 retains its unique jumping hour design, its slow ticking speed preserving the charm of the Baladin series. However, to achieve this design and mass production, MB&F completely redesigned it. The MAD3 is based on the La Joux-Perret G111 movement and features MB&F’s in-house developed jumping hour module.

One drawback of this dial design is legibility, especially the 6 and 9 o’clock hour markers, which flip outwards when the dial is rotated. This doesn’t usually cause problems, but it can be inconvenient for some users when traveling or adjusting the watch. There’s currently no perfect solution other than using a more complex planetary gear mechanism, but adding an underline below these two numerals helps users quickly identify the hour.

The Baladin Reissue
MB&F didn’t simply copy the Baladin design, but rather adopted its design philosophy. Therefore, there are many differences between the two watches. The most obvious difference is the size. The Baladin has a case diameter of only 34mm, while the MAD3 has a diameter of 40mm, making it more in line with contemporary watch aesthetic standards. https://www.perfectwrist.co/

Another emerging design element is the teardrop-shaped logo on the crown, inspired by the design of the hour display window. The MAD2 watch also uses a similar design, with teardrop-shaped hour and minute hands.

The case of this watch was designed by our old friend Eric Giroud, and its structure is similar to the MAD2, with a “floating” lug design that blends seamlessly with the case back. The lugs are relatively short, with a lug spacing of only 43mm, ensuring comfortable wear for most collectors, even those who prefer smaller watches.

As we would expect from previous MAD Edition watches, the automatic rotor plays an important role in the design, with six windows displaying a famous quote from Mr. Calabrese, which translates to “It is easy to please others, but much harder to be proud of oneself.”

MAD3 Vincent Calabrese

Diameter: 40 mm;
Height: 12.7 mm;
Material: Stainless steel;
Crystal: Sapphire crystal;
Water resistance: 30 meters

Movement: La Joux-Perret G111 with in-house roaming hour module;
Functions: Roaming jumping hours, minutes, seconds;
Frequency: 28,800 vibrations per hour (4 Hz);
Winding method: Automatic;
Power reserve: 55 hours

Strap: Leather strap with folding clasp

zelin0802 / May 13, 2022

LMX: A decade of legacy

In the MB&F replica world, X has a special meaning and is based on the Roman numeral 10. It marks the 10th anniversary, just like the HM3 FrogX (2020) marked the decade of the Totem HM3 or HMX (2015), which is titled MB&F’s 10th anniversary. But X isn’t just an archaic replacement for the Arabic numeral 10. In algebra, X is the unsolved variable; in cartography, X is the desired destination. X stands for indescribable, inexplicable, inexplicable; it symbolizes everything we don’t know yet.

Presenting the LMX, celebrating 10 years of legacy machines

Back in October 2011, MB&F had just launched Legacy Machine N°1, the first new collection to launch alongside the existing Horological Machines; a creative laboratory, two ways of timing. The LMX returns to its earliest touches with the Legacy Machine collection, with the same expression, including a central flying balance wheel and two dials, although everything else is different.

Two independent time zones on the inclined dial

Anyone familiar with MB&F’s first Legacy Machine will know instinctively how the LMX works. Two stretched white lacquered dials, each with its own hour and minute display. The dial on the right is set by a crown at 2 o’clock, engraved with the MB&F Tomahawk, which also winds the movement. A globe is engraved on the crown at 10 o’clock to confirm the potential use of a second time zone for setting the time on the left dial. Unlike the first-generation Legacy Machine, however, both dials are tilted at an angle—a more complicated feature on the latest Legacy Machines, requiring the help of bevel gears to transfer energy from the horizontal to the vertical.

Apparent mechanics under the sapphire crystal dome

While the first few Legacy Machines took a selective approach to the presentation between the dial and the sapphire crystal top, later models, such as the LM Perpetual, LM FlyingT and LM Thunderdome, were more open and showy about their mechanical capabilities. The LMX follows the latter approach, showcasing functional elements such as the tomahawk escapement bridge and gear train components. Three large gears stand out: next to each winding crown, two actuate when the time is set on the corresponding time display, while the gear at 6 o’clock is the ordinary seconds wheel.

Of particular note is the new bespoke balance wheel, a behemoth 13.4mm with an inertia block that marks a departure from more traditional threaded balance wheels and gives watchmakers greater precision to adjust the LMX Core. Other improvements include the polished arms of the straight bridge exposed on the dial, finished by hand to impart a curved or bercé profile on its upper surface.

Hemispherical 7-day power reserve indicator

As another tribute to Legacy Machine No 1’s world-first vertical power reserve indicator, the LMX builds on this MB&F history with an all-new 3D display showing the engine’s impressive 7 days (168 hours) Power Reserve. In this improved display, it is possible to choose between two countdown power reserve modes. Two markers are located on opposite sides of the hemisphere; one is framed by arched scales numbered 1 to 7, and the other has scales showing the days of the week.

This complex and entirely new component interaction is given additional complexity through the rotation of the entire power reserve display itself. This allows the wearer to choose the power reserve display mode they prefer: even when continuing to wind the Tomahawk crown after the power reserve is fully replenished, the wearer can adjust the direction indicated so that the date is displayed – when the LMX is worn on the wrist , the day of the week or the numerical scale is more obvious. wholesale replica watches

Symmetrical kinematic structure

Like a perfectly balanced X, the engine of the LMX is highly symmetrical – not only on the dial side, but as seen from the sapphire caseback, the three barrels are evenly distributed in the center, and the sunburst pattern in the Côtes de Genève finish is even more pronounced. Prominence. It’s a treat for those who can read the language of watch movements, discerning the expert intent and refined purpose behind the placement of each component.

The X in LMX is not just a symmetric symbol, or another way of representing the number 10. LMX is the crossroads where the first and second decades of the Legacy Machine series meet. cheap replica watch

LMX has produced two limited releases:

– 18K red gold, bridges and bridges with black NAC treatment;

– Grade 5 titanium alloy with green CVD treatment of plates and bridges.

For 2022, the new “Steel & Brass” limited edition 316L stainless steel matte finish.